Showing posts with label Brendon Urie. Show all posts
Showing posts with label Brendon Urie. Show all posts

Wednesday, September 18, 2013

Track of the Week: "This is Gospel" by Panic! At the Disco

Hey,
So, like I said last week, Panic! has been releasing some new music, leading up to their new album dropping in October. The second single they released was "This is Gospel." I am totally loving this song because it is a big leap from their old material, but yet, at the same time, the lyrics are very Vices and Virtues, so they are not completely rewriting themselves. It's a smart move, evolving while recognizing the past.
The song starts out slow and minimal with Brendon's vocals filtered through a vocoder and a heartbeat like beat in the background. Then, all the other instruments come in. The guitar lines give it a nice body while the drumming keeps the song moving and flowing. As the song ends, it returns to the minimal set-up , which gives the song a nice rounded feeling. The lyrics are up for debate as I have heard rumors that they are about Brendon’s misgivings with the Mormon church and that they might be able Jon and Ryan leaving the band. They’re ambiguous enough that we’ll never know and perhaps that is the way Brendon intended it to be. Secrecy is a powerful tool and his lyrics masterfully wield it.

If this song is a sign of  what we might be hearing on the new album, I’m excited! It’s nice to see them trying new things without leaving all their previous material completely behind. This should be a good album and I cannot wait to review it.


Until next week,

Bella

Friday, February 22, 2013

Fall Out Boy is Back And Other Songs I'm In Love With


Hey,

So, last week, I wrapped up the series on lyrics. And this week, we’re back to actual music reviews! I know that other series deviated from my typical format, but it’s an issue I’m, obviously, very passionate about.

Without further ado, another installment of “What is Bella Listening To…”

 

My Songs Know What You Did In The Dark by Fall Out Boy- Who else is super excited about these guys getting back together????!!! I guess you can tell I am. J I seriously fell in love with Patrick Stump when I saw him open for Panic! At the Disco last year and I appreciate Fall Out Boy’s stuff a little differently now; I’ve always kind of liked their stuff, but not I really love it. J Anyways, this song starts out with dark distortion, choir-esque vocalizations, and then the down-and-dirty guitar riffs breakthrough and then, it’s Patrick time to shine. (Pardon the cliché) And that chorus!!! Holy crap. It’s just all like KABOOOMMM! That’s the best way I can explain it. It’s wild, yet controlled and just a beautiful explosion of the awesomeness that is Fall Out Boy.

About to Die by Dirty Projectors- I love the strange, African sounding drumbeats at the beginning, delicate plucking noises, and the way everything just trickles in. Some songs start off strong and others just kind of gradually grow. This song hits its peak around 1:18 or so, right before the chorus. Before and after, this song is fantastic.

All These Girls by Atlas Genius- Atlas Genius is one of my favorite discoveries of 2012. They’re Australian, which is totally awesome (I am such a sucker for accents, especially Australian ones J ). This song, like their other tracks, is a mixture of pop meets rock meets alt; and it is totally brilliant. The changing time signatures, varying rhythms, and undulating vocals make for a sweet find. Check them out. J

Running For Cover by Ivan & Aloysha- I like the kind of swaying beat, stripped instrumentation, and the intricately layered vocals. It has kind of a soundtrack feeling, like something that could play in an episode of White Collar or something. That’s cool, in my book. This song is absolutely gorgeous.

I Wanna Be Free by Panic At the Disco- a big throwback, considering this song came out several years ago as a bonus track off their album Vices and Virtues. Nonetheless, the song is easily one of Panic’s best efforts. I love Brendon’s glorious, soaring vocals, Spencer’s steady drumming that, at times, reminds me of Darren King from MuteMath. Love the swift change that occurs around 2:14-ish. I love how they are unafraid to throw something in there like that and it always works. An oldie, but a goodie. J

 

Well, that’s it for this week. Please comment and go to my Contact tab and send me a message or tweet at me. I love to hear from you all!

Until then,

Bella

 

Friday, February 1, 2013

Lyrics Part Deux

Hey,
Welcome back to second installment of the new series I'm starting on lyrics! Last week, I compared Mutemath and Katy Perry and the depth of their lyrics and this week, I am going to explore the songwriting phenomenon of good songwriting versus good line writing.

Now, what exactly do I mean by that?

In essence, some songs are well written while others have one stand-out line with a bunch of meaningless lines. I do not, by any means, expect all artists to make every single line of every single song the most amazing things ever. I'm being realistic.

Do you remember a couple of years ago when "Airplanes" by B.O.B ft. Hayley Williams came out? Every single thirteen year old drama queen and her best friend would change their facebook status to "Can we pretend that airplanes in the night sky/are like shooting stars/I could really use a wish right now." Yes, I admit that is a pretty creative line; I'm impressed. However, the rest of the song is just about B.O.B whining about trying to be discovered and gain notoriety and blah-blah-blah. It's crap. Especially compared to that one line.

That is a prime example of good line writing.

Next, let's look at an example of good songwriting, "But It's Better If You Do" By Panic! At The Disco. This band is known partially for the fact that all of their songs are freaking amazing and partially because their lyrics kick some major butt. Ryan Ross, who wrote this song and eventually left the band, is a relative lyric genius, maybe one of the great songwriters of the 2000's. Still, Brendon Urie filled his role after he left and is doing a brilliant job. I digress.

"Now I'm of consenting age to be forgetting you in a cabaret
Somewhere downtown where a burlesque queen may even ask my name
As she sheds her skin on stage
I'm seated and sweating to a dance song on the club's P.A.
The strip joint veteran sits two away
Smirking between dignified sips of his dignified peach and lime daiquiri

And isn't this exactly where you'd like me
I'm exactly where you'd like me, you know
Praying for love in a lap dance and paying in naivety
Oh, and isn't this exactly where you'd like me
I'm exactly where you'd like me, you know
Praying for love in a lap dance and paying in naivety

Oh, but I'm afraid that I
Well, I may of faked it
And I wouldn't be caught dead in this place."


Well, it may not take a genius to figure out that this song is about a guy trying to forget about a girl and looks for pleasure in a strip club. It's one of Panic's more risque songs and I was hesitant to use it on here, but it's one of my favorite songs in a lyrical sense. In this song, all of the lines pack a punch of some kind. It's narrative, telling a story of a guy's experience, not just physically and emotionally and mentally. All of lines contribute to the overall tone--regret, remorse, and contemplation. Where B.O.B's track switches between Hayley's wishful tone and his bragging, swaggering, tone, it just does not flow. It's one great line smushed in between the other bad lines. With Panic's, it's a bunch of fantastic lines all put together, so that the song flows, without any unnecessary dissonance. Dissonance is a strong literary device, but B.O.B's song just contradicts.

Another example of fine line-writing is the chorus of Britney Spears' "Gasoline."
"Spark and it's like gasoline
I start burning like a machine
My heart only runs on supreme
So hot, give me your gasoline"

 Terribly sexual in nature, it's honestly just another example of someone being crafty with euphemisms. Anyways, I still see it as "good" because it's rather creative. Not to say if Panic! came out with this song I'd call it good; I'd be pretty disappointed because I know they're better that that. But, this is Britney, the woman who sings about how toxic some dude is and how she's in love with criminals (my butt, you are). So, considering this is Britney (and I don't actually think she wrote this :D), it's passable.
So, this guy is making her cray-cray and she wants his "gasoline." Hmm, whatever could that be? :)

Well, that wraps it up for this week. Next week, I will talk about the use of repetition in lyrics and try to pick some less disturbing songs.

Until then,
Bella

Sunday, October 7, 2012

No One Direction Infection Here


Hey,

Sorry about the lack of a new blog post on Friday. I had the SAT the next day, so I had to go to bed super early and get ready and I didn’t have time to do a post. But, two days later, here it is!
Originally, I was going to just talk about the songs I’ve been listening to, but that’s really boring after a while. Instead, I’ve decided to explain exactly what I detest about One Direction. If you saw my Twitter this week, you may have seen where I tweeted about my sister's newfound One Direction obsession.  Yeah, my sister, despite all my glorious attempts to sway her, has conformed. She held out for a long time, but she finally caught The One Direction Infection. (Am I the only one who thinks that sounds like a really disgusting way to say you’re a fan? Maybe you should go see a doctor for that infection)

Multiple times, I’ve asked her to explain why she likes them, but all she keeps saying the same thing, “They’re really cute, attractive, funny, and great singers! And their songs are really catchy. And they’re really hot!” As a good sister, it’s hard for me to keep criticizing her music choices, but I really do hate One Direction.

Even the boy bands in the nineties, as highly regarded as they may be, really weren’t/aren't that great.. But, some people are like, “Oh, they were so much cooler back then.” That’s not necessarily true. Besides the horrible music, remember those badly choreographed, awkward dance moves? If y’all want to dance so badly, became a boy dance team. They boys, who were really closer to men, did at least have very mature voices.  I’ll give One Direction—and The Wanted—credit, at least they don’t dance. They do walk around quite a lot and touch girls’ hands because those boys aren’t dumb; they know they have to target the easily excited pubescent girls. Touching someone’s hand, I guess, does it for them. Now, I’ll admit, when I went to the Mutemath concert and Paul—the lead singer—came out in the crowd, yeah, I got excited. I took pictures and told anyone who listened—so that’s my sister, my parents, and my blog readers—that I was this close to Paul. However, I was there for the music, not because Paul has a pretty face or anything like that.

Specifically, I hate One Direction because they target these tween-age girls. The only reasons One Direction’s music sells is because the girls who are listening to this music because A) the boys are sooooooo cute, B) they think these guys have talent, and C) they’re easily wooed.
Sure, the boys, Zayn, Louis, Harry, Niall, and Liam—I only know their names because of my sister—are relatively attractive, but so what? Does one’s facial structure determine their singing ability? I think not. If we, as a complete society, based our musical tastes off that one criteria, would Ozzy Osbourne be considered a legend, what about Meatloaf, most of the bad-hair bands on the 1980’s, and Muse, Silversun Pickups, The Killers, and Fall Out Boy, would they be popular? Now, I’m not calling these bands/artists “ugly” or putting them down. Most of them, however, do not fall until the typical, cookie-cutter criteria of cute that One Direction does. Yeah, I’ll admit a cute lead singer doesn’t hurt anything. As interesting as the concert was, it was cool to see the very sexy Brendon Urie (Panic! At the Disco’s lead singer). However, I do not solely listen to PATD because of Brendon, but it certainly didn’t hurt at the concert. JMost true music lovers do not listen only to bands that boast “cute” or attractive members. But, that’s One Direction’s niche. They’re five decent looking young men who look good in tight trousers, suits, and colorful skinny jeans. Someone could honestly toss those five boys up on stage, turn off their microphones, play the sound of a garbage disposal every time they open their mouths, and girls would still walk away going, “OMG! Harry’s so cute!” Really, the sound of a garbage disposal is a step-up from what they sound like now. Yikes. Also, the guys take a lot of random videos of them making faces, dancing, and saying silly things. Those videos then get uploaded and crazy fans who don’t have enough to do make huge 8 minute videos of this guys, like this one. Yes, I am now in love with these boys because they’re funny. Right…And their funny moments really don’t compare to these guys’.

Next, these poor girls are sadly mistaken when they claim that One D—I’m abbreviating—has talent. For real? Have you ladies heard their auditions? I sound better than they do and I sound like Ke$ha mixed with a dying rabbit, not that I know very many dying rabbits, but the point still stands. Harry, who every time I say his name, I want to add “You’re a wizard, Harry,” sang “Isn’t she lovely” by Stevie Wonder. No, it’s not the worst I’ve ever heard, but it was very pitchy and kind of weak; I agreed with Louis, instead of Simon and that’s very rare. Niall was very likeable, trying to sing "So Sick" by Ne-Yo, but like Harry, he needed more practice and quite a few voice lessons, to be honest. Zayn was terrible, oooh, just terrible. He tried too hard, drawing out notes that should not have been drawn out and it was painful to listen to. Louis butchered “Hey there Delilah.” Dude, that was my favorite ballad before you stomped all over it. It was just all over the place and…yucky. Liam, on the other hand, I actually liked. Before you turn away and declare me a Directioner, listen to his audition. The guy has a very Michael Buble like quality. I say, Liam, leave those other losers and go be a little jazz singer. I’d buy your stuff. Not because of who you are, but because of the talent hiding in those skinny jeans. In the end, that’s pretty sad, isn’t it? Four guys and only one sounds better than a dying rabbit. Wow.

Finally, their main audience, little girls, are easily influenced. They are only buying One D’s stuff because they have yet to actually formulate their own musical opinions and are just beginning to understand what they like. At 12, the target age of 1D, I was into Ke$ha (synonymous now with a dying rabbit), Akon, Beyonce, Katy Perry, and a million other talentless people that considered themselves “artists.” How is it art if my ears bleed when your songs come on? Just curious. That raises another question of mine, why does One Direction call themselves a band? Do you see them playing any instruments, save for a random guitar here and there? Nope, but they have a backing band that doesn’t get any credit; they’re the ones that are actually doing the heavy-lifting, whereas the boys simply have to prance around and sing. So, I don’t consider them, The Wanted, or any other boy-band, rubbish project of a record company a band. They’re singers, I think, not a band, and most definitely not artists. They are, most definitely, a sorry excuse for music that the tweens eat up. Back to my original point, girls—and kids in general—at that age are trying to discover what kinds of music they like. They’re more likely to fall for guys that smile and sing songs about how beautiful they are, as opposed to bands that did not choose its members based on how chiseled their jaw lines are and sing about heavier, soul-searching lyrics. As well, once a girl’s friends begin to enjoy One Direction’s music, they begin to follow suit, spreading a “One Direction Infection” throughout the school. That’s exactly why these boys have such a rabid, ever-increasing fan base.  Thank God I’m immune this infection, like I was to Bieber Fever. Keep your ailments, girls. I’ll take my Panic! Attacks, thank you very much. J

Another thing that bothers me about these guys is their lyrics. No, I’m not going to rip them apart for writing songs about puppy love; artists—real artists, mind you—have been doing that for years. (I’m reminded of that awful “Puppy Love” by Donny Osmond…scary) What irks me is the lack of depth, the fact that they never address the girl they’re in love with, and the music behind their lyrics.

Take their song “One Thing.” It opens with “I’ve tried playing it cool/ girl when I’m looking at you/ I can’t ever be brave/ because you make my heart race.” Okay, nothing awful there, aside from the fact that his masculinity is still in development, as evidenced by the fact that he can’t look at a girl’s eyes, nose, and mouth without his heart racing.

They go on, blabbering about how much they love this girl and how special she is. Then, Zayn (Or as I called him for months until I learned his name, Zoombafoo) says she has that “one thing.” What is that “one thing” you ask? Well, that’s a good question, because the boys, actually, the people who wrote the song in the first place, have no idea. I like how specific they are about why she’s so special…NOT. I have no idea why they’ve all fallen for her. “I Want” is about a super materialistic girl who wants them to love her. Okay, that songwriting rivals the Jonas Brothers for suckiest shizz posing as beautiful lyrics. As well, boys, putting an electric guitar line that none of you even play does not make the song rock and roll. It definitely comes across as a little pretentious, perhaps, but it’s your manager and everyone else that’s hiding behind the curtain (“pay no attention to that man behind the curtain”) who makes that stuff happen.

Next, they never name the girl they’ve fallen for (am I the only one who is creeped out by the fact that all five guys sing to one girl?), always calling her “you.” Why, you ask, do they do that? Because, when they sing it in concert, they point at different girls and the girls go “OMG! He told me I have that ‘One Thing!’” No, you don’t, but it sells more tee-shirts, tickets, CDs, and merch. More sales = more $$$$$ for them.

Finally, the music that the lyrics try to compensate for are just awful. They don’t want you to notice that the instrumental side of the group is pitiful; they want you to fall for One D’s faces and the fact that the boys are in love with “you.” So, they spend as little time as possible on the actual music and the end result: the music sounds like crap. It all sounds the same, a guitar, a piano, light drums, and a repetitive melody that never really goes anywhere. It’s just your typical boy band music. And that’s why I continue to listen to Mutemath, Muse, Panic! At the Disco, The Black Keys, Just Jack, Two Door Cinema Club, Arctic Monkeys, Patrick Stump, Electric Guest, The Kooks, Keane, Incubus, and Young the Giant. At least those bands have the decency to put effort into their music.

Before I call this rant quits, remember that I’m not personally attacking One Direction and I’m not a hater. (Though, remember that haters are your motivators) I don’t like their music, why they’re popular, and what they represent in the music industry (puppets controlled by a record company and managers). However, I’m sure they’re very nice guys and I didn’t set out to put them down and make a mockery of them. I just think that considering the amount of success that they’ve had, they should at least have a little talent. So, just a critic, not a hater. Got it? Good. J

If you want to laugh even more at One Direction's strange following and their lack of musical talent, check out Barely Political's parodies here and here. And while you're there, check out their 24 parodies here and here. I couldn't resist a chance to slip in a 24 reference. :)

Anyways, until next week,

Bella